1976, Bahamas, for Glamour USA, illustration for exercise
© Frank Horvat
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My psychological landscape.
I made this of random objects I found around my house that I kept (for an unknown reason). Small things that I threw in drawers for years are now arranged as a small scene, while all of the background pieces were made previously for a art class. This scene takes up a shelf of my bookcase.
For the Art Assignment ‘Imprint’ assigned by Sopheap Pich, I used a clothes pin, coins, a decorative styrofoam pumpkin, and my fingerprints to create my work.
I imprinted using acrylic paint on paper that had been coloured solid blue with crayon.
I loved making this art!
Took 5 tabs of acid (first time doing it ever) and my friend gave me a bunch of acrylic paint. Painted it with my fingers tripping out of my mind. Also I’m colorblind, and don’t work with abstract work at all (I only have ever done drawing). Thought this was pretty whacky.
Hello, everyone! Here is my piece for the Light Grey Art Lab show “Guts!”
“All matter is drawn to the singularity – An infinite point. However, the singularity, infinite as it may be, also holds a universe of matter all its own.”
Check out the rest of the work here. Thank you so much to everyone at Light Grey Art Lab!!
- Molly
https://www.youtube.com/watch?v=m326LNIRB3k
Pompeii from Bad Blood, by Bastille
How many slams in an old screen door?
Depends how loud you shut it.
How many slices in a bread?
Depends how thin you cut it.
How much good inside a day?
Depends how good you live ‘em.
How much love inside a friend?
Depends how much you give ‘em.
-HOW MANY, HOW MUCH, A Light in the Attic, Shel Silverstein (1981).